“This is my last show,” the rapper M.I.A. announced from the stage of That Tent, “and I’m glad I’m spending it with all my hippies.” If, as she announced at least three times, it was M.I.A.’s last gig ever, she went out with a boom. The seismic riffs of her songs, which sound like they’re made on the world’s cheapest equipment, puffed bass notes at everyone’s chest, and M.I.A. was all of her interlocking selves: fighter, lover, immigrant, instigator, party girl.
Wearing an outfit that included shiny streamers as tails, she shook every part of her body sooner or later, yelping her hooks and spitting out her rhymes, dense with allusions and snappy enough for slogans. She brought “girls” and then “boys” onstage, surrounding herself with happy dancers, and brought the Nigerian rapper African Boy onstage for her encores,
rapping about how immigrants have to hustle. For her finale, “Paper Planes,” the audience that spilled far outside the tent pumped fists happily at the gunshot sounds that are also one of the song’s hooks. “Thanks for coming to my last gig,” she said, amid noise that continued well after she was gone.
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